Mil tres, say cheese

What do Bad Bunny and Mozart have in common? Does Don Giovanni have ‘mucha novia’? Are ‘seducers’ also predators? And what role do women play in all this? It is an experimental opera by cabosanroque that revisits the myth of Don Juan from a radically contemporary vantage point.

235 years after first burying Don Giovanni and his catalogue of conquests, "Madamina, il catalogo è questo", the singer Bad Bunny turned the song "Tití me preguntó" into one of the most heard in history worldwide. Da Ponte wrote it in the third person, since it must be sung by Leporello, and Bad Bunny speaks in first person. Apart from this, few differences separate the two themes: two catalogues of conquests and a series of preferences in terms of women. What is the version of Don Giovanni that corresponds to our times? What has become today the continuously unfulfilled desire of Don Giovanni? What new forms of masculinity shape this myth?

After more than fifteen years building theatrical installations and devices - without human presence... nor actors -, cabosanroque takes six girls of flesh and blood to the stage to reflect on the current character of Don Giovanni. The six performers will use a strange soundstage to play live fragments of Mozart’s opera, other newly composed pieces and even cover some reggae from Bad Bunny.